Not in Transit is the second show of an unfolding series of exhibitions showcasing new work by eighteen artists from the Espacio Gallery Project.
The title Not in Transit, stands in contrast to the concept of transience inherent in the word nomadic, the latter making reference to the original intention of the 100+ artists that form the Espacio Gallery Project, to organize shows that will travel between established galleries whilst the artists search for their own gallery space.
The show features a diverse group of emerging artists, based in the UK with cultural roots around the world, whose shared intention and artistic journeys come together as an invitation for non-transient aesthetic experiences, that is, to convey a lasting impression by way of an intimate dialogue between the artist, the work and the viewer.
Bola Adamolekun produces pieces drenched in a rich and wide rainbow of colours, while Laura Bello explores her sunlit Colombian childhood. Mexican painter Judith Bieletto takes us for a night-time walk in the woods and Michael Blow uses carving techniques to consider a varied number of themes.
Kentish artist
Stephanie Brunton paints and makes films which spring from her investigation into the identity of people and Brazilian artist Carlos de Lins paints multi-coloured geometric ‘linescapes.’ Julie Eccles is constantly exploring fresh ideas through the lens, while Enrique Gavilanes recalls memories of imaginary ancestors.
Chance and order, chaos and control are central to
Nick Hazzard‘s work, while for Stephanie Herbert, musing on what it means to be alive is a driving force. Juli Jana beautifully captures the joy and light of the outdoors, while the urge to investigate is paramount in the works created by Martin Masterson.
Valerie G. Montgomery chooses vibrant colours to celebrate iconographies of female social culture, while socio-political interests emerge in Chandra Morar‘s current series of work. Laura Reiter is inspired by her visits to exotic places, while spiritual growth and the discovery of the self take centre stage in Renee Rilexie’s work.
The deep appreciation of the natural world has stayed with
